Monday, November 7, 2011

Logitech Revue Companion Box with Google TV and Keyboard Controller

  • Works with your existing HDTV and cable or satellite system to provide seamless access to the Web, your TV, compatible DVRs, and Android apps
  • Searches and controls with an intuitive keyboard controller with built-in touch pad so you can do things you can't easily do with a remote
  • Lets you search and enjoy content from multiple sources without switching devices, inputs or rooms. See content from the Web and TV simultaneously with Dual View.
  • Always up-to-date with free automatic, over-the-air updates that add new features and functionality to your system
  • Requires an HDTV with HDMI port, cable or satellite box with HDMI out, cable or satellite subscriptions service, and high-speed Internet access
Bring home the UNRATED DVD that lets you go all the way on the first date! With outrageous extras and footage not shown in theaters, here's the ruder, cruder version of t! he no-holds-barred comedy from two of the twisted minds behind Scary Movie.

Julia Jones (Alyson Hannigan from the American Pie series) is looking for love in ALL the wrong movies, until she snags the man of her dreams! But now, a devious ex, a farting feline and eccentric in-laws threaten her perfect Hollywood wedding!Bring home the UNRATED DVD that lets you go all the way on the first date! With outrageous extras and footage not shown in theaters, here's the ruder, cruder version of the no-holds-barred comedy from two of the twisted minds behind Scary Movie.

Julia Jones (Alyson Hannigan from the American Pie series) is looking for love in ALL the wrong movies, until she snags the man of her dreams! But now, a devious ex, a farting feline and eccentric in-laws threaten her perfect Hollywood wedding!Steve Carell and Tina Fey are “a match made in comedy heaven” (Ben Lyons, E!) in this uproarious adventure about an ordinary couple in the right place...on the wrong ! night. Phil and Claire Foster are a sensible, suburban husband! and wif e slogging through their daily lives and marriage. But a case of mistaken identity sets off a n outrageous chain of events involving small-time thieves, big-city mobsters, corrupt cops and a crazed cabbie, as the Fosters’ “date night” turns into a wild ride they’ll never forget! Tina Fey and Steve Carell are two of the most charming performers in entertainment today. Their goofy attractiveness makes them a perfect couple in Date Night: an unremarkable husband and wife from New Jersey, they get mistaken for crooks in Manhattan, sending them on a wild night replete with snooty wait staff, crooked cops, glitter-specked strippers, a shirtless superspy (Mark Wahlberg, as buff as ever), and a preposterous car chase. The movie makes no effort to be remotely plausible and the last third really goes off the rails, and it would probably be better served by less familiar faces in minor roles (bit parts are played by Mark Ruffalo, Kristen Wiig, Common, James Franco, Mila ! Kunis, William Fichtner, and Ray Liotta). It's disappointing that the dialogue doesn't crackle the way it does on 30 Rock or The Office. But Fey and Carell carry the movie along through sheer nerdy pluck. Rarely does a couple in a movie seem genuinely devoted to each other, not out of wild passion, but for all the things that a real marriage is built on: patience, shared humor, a willingness to deal with day-to-day annoyances, and simple affection. Fey and Carell seem like a couple you'd actually enjoy going out to dinner with. In today's world, that's more romantic than sunsets and bouquets of roses. --Bret FetzerA worthwhile date movie, according to Halpern, meets three criteria: it appeals to women and men, it contains a plausible romance, and it leaves the audience with a romantic feeling. Reel Romance provides detailed information on 100 such films, focusing on movies from the last 25 years but including some classics from Hollywood's golden era (c! ould any book on romantic films leave out Casablanca?) Organiz! ing the movies according to ten themes, Halpern adds some surprises to the mix: along with expected comedies and love stories, the list includes fantasy films (Ladyhawke, Dreamscape), detective movies (Fletch), animated pictures (Shrek), and even a little kung-fu (Crouching Tiger, Hidden Dragon). Each film description includes a rating on the "makeout meter," suggestions for further viewing, and the "do try this at home" tips for couples eager to add a little movie magic to their own romances. Halpern also advises viewers on which films go best with different periods in the relationship, ranging from first date to comfortably married. With Americans spending more of their movie-watching time at home, and couples forever wandering through the video stores looking for something that they'll both enjoy, Reel Romance arrives at the perfect time.Debra Messing (TV's Will & Grace) shines in this hilarious romantic comedy about the surprising road to finding true love. Kat Ellis (Messing) ! is determined to attend her younger sister's wedding with a date. Rather than face the ridicule of her family and in order to show up her ex-fiance, she resorts to the Yellow Pages to find a last-minute escort, Nick (Dermot Mulroney, My Best Friend's Wedding). His dashing good looks and quick-witted charm may win over her family. But will they win over Kat? Filled with unexpected twists and endless laughs, The Wedding Date is the one date that you'll want to keep!If you're a fan of the frazzled comic rhythms Debra Messing plies on Will & Grace, or if you're pre-sold on the concept of Dermot Mulroney as the world's most dashing heartthrob--an idea given ample evidence here--this escapist romance may provide just enough distraction. The Wedding Date's Pretty Woman-in-reverse plot finds Kat Kat Ellis (Messing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can fa! ce the best man, an ex-fiancé who broke her heart. Non-fans o! f the st ars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is a relatively painless but forgettable first Date; you probably won't need a second assignation.--Steve WieckingLogitech Revue with Google TV turns any TV into a smart TV. It brings together TV, the full web, apps, movies and more and puts control of it all at your fingertips.

Cowboys & Angels

Boogie Nights (New Line Platinum Series)

  • From Hollywood's hottest new director comes the outrageous epic that throws the covers back on California's adult entertainment industry in the swinging seventies. It's a touching and often humorous portrait of a most unusual family of filmakers, broughtRunning Time: 155 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 794043503320 UPC: 794043503320 Manufacturer
From Hollywood's hottest new director comes the outrageous epic that throws the covers back on California's adult entertainment industry in the swinging seventies. It's a touching and often humorous portrait of a most unusual family of filmakers, broughtEven if the notorious 1970s porn-filmmaking milieu doesn'texactly turn you on, don't let it turn you off to this movie's extraordinary virtues, either. Boogie Nights is one of the key movies of the 1990s, and among the most ambitious and exuberantly alive American movies ! in years. It's also the breakthrough for an amazing new director, whose dazzling kaleidoscopic style here recalls the Robert Altman of Nashville and the Martin Scorsese of GoodFellas. Although loosely based on the sleazy life and times of real-life porn legend John Holmes, at heart it's a classic Hollywood rise-and-fall fable: a naive, good-looking young busboy is discovered in a San Fernando Valley disco by a famous motion picture producer, becomes a hotshot movie star, lives the high life, and then loses everything when he gets too big for his britches, succumbs to insobriety, and is left behind by new times and new technology. Of course, it ain't exactly A Star Is Born or Singin' in the Rain. Writer-director Paul Thomas Anderson (in only his second feature!) puts his own affectionately sardonic twist on the old showbiz biopic formula: the ambitious upstart changes his name and achieves stardom in porno films as "Dirk Diggler." Instead of drink! ing to excess, he snorts cocaine (the classic drug of '70s hed! onism); and it's the coming of home video (rather than talkies) that helps to dash his big-screen dreams. As for the britches ... well, the controversial "money shot" explains everything. And the cast is one of the great ensembles of the '90s, including Oscar nominees Burt Reynolds and Julianne Moore, Mark Wahlberg (who really can act--from the waist up, too!), Heather Graham (as Rollergirl), William H. Macy, John C. Reilly, and Ricky Jay. --Jim Emerson

Monster High Dead Tired Draculaura Doll

Fracture (Widescreen Edition)

  • Academy Award? winner Anthony Hopkins and Academy Award? nominee Ryan Gosling are brilliant in this "exceptionally suspenseful nail-biter" (Rex Reed) that's so smart it "doesn't let go, even after the final twist" (Gene Shalit, "Today"). Ted Crawford (Hopkins) brutally murders his wife and calmly waits for the police to arrest him. With the weapon and a signed confession in hand, Deputy D.A., Will
Academy Award® winner Anthony Hopkins and Academy Award® nominee Ryan Gosling are brilliant in this "exceptionally suspenseful nail-biter" (Rex Reed) that's so smart it "doesn't let go, even after the final twist" (Gene Shalit, "Today"). Ted Crawford (Hopkins) brutally murders his wife and calmly waits for the police to arrest him. With the weapon and a signed confession in hand, Deputy D.A., Willy Beachum (Gosling), believes a conviction is a slam dunk; that is until the case completely unrav! els. Now, with little evidence, Beachum goes head to head with the cunning Mr. Crawford in a desperate search for the truth and the answer to one burning question: How is this guy getting away with murder?Anthony Hopkins plays a brilliant, pathologically serene killer outwitting the good guys at every turn and taking a shine to a twentysomething law enforcer who can’t conceal a rural accent and rugged origins. Could it be...? No, not The Silence of the Lambs, but an original mystery, Fracture, which plays a little like Lambs as an episode of Columbo, minus Columbo. Which means the film tells us from the get-go that Hopkins’ character, a wealthy engineer, shoots his philandering wife (Embeth Davidtz) and leaves her in a vegetative state. From there, it should be a simple matter for young, assistant District Attorney Willy Beachum (Ryan Gosling) to nail Crawford, who provides a full confession and even eschews counsel. That’s good for Beachum! , a slick winner with a vague background of deprivation, rapid! ly on hi s way out of public service after attracting the attention of a deep-pocket, private firm. What he doesn’t know, however, is that Crawford has masterminded more than vengeance against his wife, and that the state’s case against him is full of pre-arranged holes and a huge time-bomb that will send Beachum scrambling to keep the pieces together.

The story, conceived and co-scripted by Daniel Pyne (Doc Hollywood), goes down easily with a minimum of blood and violence, and should easily appeal to mystery buffs as well as old fans of Hopkins and new admirers of Oscar nominee Gosling (Half Nelson). The latter holds his own in multiple, two-character scenes with the masterful portrayer of Hannibal Lecter, pacing Beachum’s reactions to Crawford’s polite provocations so everything spills onto his youthful face: torn loyalties, confusion, gullibility. Director Gregory Hoblit (Hart’s War), still best-known for decades of distinguished television wor! k (NYPD Blue), brings the necessary intimacy to make the stars’ chemistry work effectively. His noirish atmosphere is a little over the top, sometimes pushing the audience to a level of expectation that the film isn’t really ready to deliver, but this, overall, is an enjoyable work. --Tom Keogh

Natural Fruit Flavors Collection Set of 6

  • Natural
  • Gluten Free
  • Flavors
  • Extracts
  • Kosher
The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hil arity.The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with! Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hilarity.

Bonus Features include: Mike Judge's Secret Recipe Featurette The Ingredients For A Classic Mike Judge FilmMike Judge is in a familiar zone in Extract, which is sort of a close relative to his cult classic Office Space. But this time the main character owns the company, instead of being a cog in the machinery, and middle age presents a different set of challenges. Joel (Jason Batem! an) concocted a new approach to soda pop, and his small compan! y is bub bling along nicely--in fact, there's talk he might get bought out by General Foods…unless something were to come along to really, you know, screw up the deal. Hmm, what could go wrong? Joel is sexually unfulfilled with his wife (Kristen Wiig), there's a new temp worker (Mila Kunis) at the factory who favors minimal clothing, and Joel's best friend (Ben Affleck), a slacker bartender, is bursting with bad advice. Oh, and there's an employee (Clifton Collins Jr.) contemplating a lawsuit because of a workplace accident that left him missing an important piece of equipment. The film's plot machinations are less enticing than the moment-by-moment behavioral observations, always a Mike Judge specialty. Examples: the chattering of the factory floor workers, who could easily have stepped out of a King of the Hill cartoon, or Joel's suburban neighbor (David Koechner at his chummiest), the kind of yakety-yak blowhard who simply will not shut up, however many polite messages ! he receives. It might not amount to a whole lot, and somehow the gifted Bateman seems underused here (Affleck, on the other hand, is having a ball). But Extract seems destined for cable-TV repeatability, much like its corporate cousin. --Robert Horton

Stills from Extract (Click for larger image)
 






Six 1 FL OZ bottles contained banana, blueberry, cherry, mango, raspberry and strawberry flavors
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