Bart Got a Room : Widescreen Edition

• Widescreen

Nerdy high school senior Danny has spent six hundred bucks on the hotel room, the limo and the tux for his prom. He's only missing one thing - the girl. Hampered by well intentioned but clueless advice from his newly divorced parents and unsympathetic mocking from his best friends, Danny battles peer pressure, teen angst and his own raging hormones as he desperately searches for a prom date. Danny's luckless quest turns to panic when he learns that even Bart - the school's biggest dweeb - has secured not only a date but also a hotel room for the night.Bart Got a Room isn’t the first movie comedy about nerds, high school, and the senior prom, and it undoubtedly won’t be the last. It may not be the best, either, but writer-director Brian Hecker’s 2008 concoction has enough laughs, charm, amusingly-drawn characters, and winning performances to more than hold its own.! For Danny Stein (Steven J. Kaplan), a high school student in Hollywood, Florida, the imminence of the prom is the source of considerable distress; even more distressing is the prospect of booking of a hotel room for himself and his date at the end of the evening. Problem is, Danny (who’s a bit of a schlub, but far from a total, like, loser), doesn’t have a date yet. The obvious choice is his “best friend” Camille (Alia Shawkat), who’s available and clearly interested, but Danny thinks he can do better--say, with Alice (Ashley Benson), the sophomore hottie who drives to school with him every day. Wrong. As the days, then the hours, dwindle down, Danny, whose parents’ separation is an added distraction (William H. Macy and Cheryl Hines are perfect as Ernie, who’s looking for love on the internet, and Beth, who has a new beau), realizes he’s in big trouble, not least because even the titular Bart--a geek so geeky he makes Danny look like Tom Cruise--already ha! s the room thing covered. All of this plays out in ways that a! re neith er surprising nor especially hilarious, but the movie has heart, not to mention a number of cute, quirky scenes (many involving Danny’s well-intentioned, but mostly clueless, family). Movies like Bart Got a Room aren’t really about the destination, anyway; they’re about the journey, and this one’s a fun ride. --Sam Graham

Stills from Bart Got a Room (Click for larger image)

Bart Got a Room isn't the first movie comedy about nerds, high school, and the senior prom, and it undoubtedly won't be the last. It may not be the best, either, but writer-director Brian Hecker's 2008 concoction has enou! gh laughs, charm, amusingly-drawn characters, and winning perf! ormances to more than hold its own. For Danny Stein (Steven J. Kaplan), a high school student in Hollywood, Florida, the imminence of the prom is the source of considerable distress; even more distressing is the prospect of booking of a hotel room for himself and his date at the end of the evening. Problem is, Danny (who's a bit of a schlub, but far from a total, like, loser), doesn't have a date yet. The obvious choice is his "best friend" Camille (Alia Shawkat), who's available and clearly interested, but Danny thinks he can do better--say, with Alice (Ashley Benson), the sophomore hottie who drives to school with him every day. Wrong. As the days, then the hours, dwindle down, Danny, whose parents' separation is an added distraction (William H. Macy and Cheryl Hines are perfect as Ernie, who's looking for love on the internet, and Beth, who has a new beau), realizes he's in big trouble, not least because even the titular Bart--a geek so geeky he makes Danny look like Tom Cruise--! already has the room thing covered. All of this plays out in ways that are neither surprising nor especially hilarious, but the movie has heart, not to mention a number of cute, quirky scenes (many involving Danny's well-intentioned, but mostly clueless, family). Movies like Bart Got a Room aren't really about the destination, anyway; they're about the journey, and this one's a fun ride.

He Got Game

• TESTED

FOR LOVE OF THE GAME - DVD MovieBilly Chapel (Kevin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his career--and his life--is at a crossroads.

Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Bil! ly. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug ThomasBilly Chapel (Kevin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his ca! reer--and his life--is at a crossroads.

Although it! is no < i>Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug ThomasBilly Chapel (Ke! vin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his career--and his life--is at a crossroads.

Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threaten! ing injury). His one viable link to the game at hand is his ca! tcher, p layed winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug ThomasBilly Chapel (Kevin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his career--and his life--is at a crossroads.

Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Ki! ller Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug Thomas"Get ready for fun!" (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy f! rom the makers of Bridget Jones's Diary and Notting Hill. Fun! ny, irre sistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell of Love Actually and share the laughs and charm again and again.With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with! his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff ShannonConfessions of an Adult Film Star 2: Get a private, intimate look into the steamy real lives of the most beautiful adult film stars in the business. Find out what it’s like to be an adult film star and get a glimpse into their personal love lives, their private bedroom activities, and find out what it’s like to be the ! man who needs to please these insatiable women. From Voyeurism! , to wif e swapping, multiple partners to exhibitionism. You won’t believe what goes on behind these closed doors Love Games: Computer tycoon Paul and supermodel Monica may be married, but they know how to keep the spice in their relationship. At Monica's suggestion, they devise a game in which they must complete sexy dares to win. Enlisting the help of their friends and several more than willing strangers, the couple sets out on their excitingly hot adventure. Fantasy and reality blur together once the competition begins, as the contestant's wildest desires are satisfied over and over again, The fun stops and the danger starts after the host of an ultra hip party turns up murdered and Monica is the prime suspect! On the run from the law, Monica and Paul race to solve the mystery before she winds up behind bars.Academy Award(R)-winner Denzel Washington (Best Actor, 2001, TRAINING DAY) stars in this must-see story about a convict given one shot at a second chance to be a father! W! ith promises of a reduced sentence, Jake Shuttlesworth (Washington) is granted temporary release from state prison in order to persuade the nation's top basketball recruit ... his estranged son, Jesus (Ray Allen of NBA's Milwaukee Bucks), to play ball for the governor's alma mater! But just as Jesus faces intense pressures and irresistible temptations contemplating his big decision, Jake is also forced to consider not only what's best for himself ... but what's best for his son! With a groundbreaking soundtrack by the legendary Public Enemy -- plus great cameos from John Turturro and basketball personalities Dick Vitale, John Thompson, Dean Smith, and more, HE GOT GAME is a critically acclaimed hit you don't want to miss!As a filmmaker and passionate fan of basketball, Spike Lee was the perfect director for this ambitious and heartfelt sports drama, which brought out the best in both Lee and his well-chosen cast. In his third film for Lee, Denzel Washington plays Jake Shutt! lesworth, who is in prison for the manslaughter of his wife. H! is estra nged son Jesus (well played by Milwaukee Bucks basketball player Ray Allen) is the nation's best high school basketball star, and Jake receives a compelling offer from the state's governor: If Jake can convince Jesus to sign a letter of intent to attend Big State University, the governor will reduce his sentence. Lee turns this back-room bargain into a fascinating examination of capitalism in college and professional sports, but the film also works as the moving story of a father's desperate attempt to regain his son's respect. Lee handles the basketball angle with an insider's awareness, and takes a few stylistic risks (including a memorable final image) that pay off with considerable emotional effect. He Got Game fully explores the visual poetry of basketball and the greed that fuels this particular vision of the American dream, but Lee never loses sight of the sport's inherent beauty, or the higher priorities of redemption and family that form the solid foundation ! of this exceptional film. --Jeff Shannon

Bangkok Love Story

• Steamy Thai nights provide the backdrop for unbridled romance, crime and action as two men unexpectedly brave forbidden love. Maek, a cold assassin-for-hire, is sent to knock off Iht, a police informant, when in a twist of fate the killer is shot for refusing to pull the trigger. After making their escape, an indelible bond is forged when the vulnerable assassin is nursed back to health by handsom

Based on the true story of Thailand's famed transgendered kickboxer, Beautiful Boxer is a poignant action drama that punches straight into the heart and mind of a boy who fights like a man so he can become a woman. Believing he's a girl trapped in a boy's body since childhood, Parinya Charoenphol (affectionately known as Nong Toom in Thailand) sets out to master the most masculine and lethal sport of Muay Thai (Thai kickboxing) to earn a living and to achieve his ultimate goal of total femininity.un! a doppia vita nella thai boxe. i guantoni o lo smalto per le unghie?entrambe le cose vanno bene, per adattarsi meglio ad una realta' che sembra sempre offrire a nong toom il suo lato piu' spigoloso. la vicenda di un atleta maschio che impara a non dissimulare piu' la propria femminilit nemmeno sul ring potrebbe far pensare, almeno dalle nostre parti, ad uno sfoggio di fantasia irrequieta e di esotismo. al contrario, si viene a sapere che lispirazione arrivata dalle reali, tormentate vicissitudini di tale parinya charoenphol, noto in thailandia come pugile-travestito e soprannominato dal suo pubblico, pare in modo affettuoso, nong toom. questo campione dai colpi pesanti e dallanimo delicato si aggiudicato lincontro pi difficile il 5 dicembre 1999, ossia quando se ne uscito da un ospedale di bangkok vestendo finalmente un corpo femminile.Studio: Strand Releasing Release Date: 04/06/2006Steamy Thai nights provide the backdrop for unbridled romance, crime and action as two ! men unexpectedly brave forbidden love. Maek, a cold assassin-f! or-hire, is sent to knock off Iht, a police informant, when in a twist of fate the killer is shot for refusing to pull the trigger. After making their escape, an indelible bond is forged when the vulnerable assassin is nursed back to health by handsome, married Iht. But as taboo feelings of desire swell between the swarthy new lovers, their relationship is discovered. Now there s no turning back as enemies, friends and lovers are pitted against each other.

Bucky Larson : Born To Be A Star Movie Poster Double Sided Original 27x40

• The sizes of these poster is approximately 27x40inches, rolled and in very mint condition never been used or hanged. These are original posters, not a reprint, . It is packaged carefully in a sturdy tube. These posters Will be shipped via USPS Priority Mail

It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits ! in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his ! massive under-equipment and contingent hair trigger gain him e! xactly t he kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters ! are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mail100% Original and Authentic movie theater promotional poster is about 11 x 17 inches in size. Will be shipped rolled, inside a poly sleeve to protect it from moisture and then carefully packed into a custom made crush resistant box. Poster has never been used and is near mint to mint condition. I have over 500 Original and Authentic mini movie poster titles.It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast o! f eminently accomplished actors who either didn't know they we! re slumm ing it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to ! put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his massive under-equipment and contingent hair trigger gain him exactly the kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roomma! te Kevin Nealon is definitely a laugh riot), but it's likely t! hat this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mail

The Fountain [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Closed-captioned; Color; Dolby; Dubbed; Subtitled; Widescreen

Yesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death. Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life...and to an adventure into eternity. Darren Aronofsky (Pi, Requiem for a Dream) directs, continuing his string of imaginative, involving filmmaking with a tale alive with ideas and filled with astonishing vistas. "Not many films can blow your mind and break your heart at the same time, but this one will" (Drew McWeeny, Ain't It Cool News).Science fiction and romance collide in The Fountain, the ambitious third feature from director Dar! ren Aronofsky (Pi, Requiem for a Dream), who labored for four years to complete this epic-sized love story that stretches across centuries and galaxies. Hugh Jackman and Rachel Weisz (Aronofsky's real-life companion) play lovers in each of the film's three settings--16th century Europe and America (Jackman is a Spanish explorer searching for Incan magic), the present day (Jackman is a doctor attempting to cure his dying wife), and the 26th century (Jackman is a space traveler seeking a gateway to the afterlife)-â€"who struggle mightily to stay united, only to lose each other time and again. Aronofsky may not have chosen the easiest presentation for audiences to absorb his theories on the lasting qualities of life and the transformative powers of death-â€"the final sequence, in particular, with a bald Jackman floating through space in a bubble, harks back uncomfortably to "head movies" of the late '60s-â€"but his leads have considerable chemistry (and look terrific to! boot), which goes a long way towards securing viewers' hopes ! for a ha ppy ending. Critical reception for The Fountain has been nothing short of bloodthirsty, with Cannes audiences booing, but there are elements to enjoy here, even if the premise throws one for a loop. Ellen Burstyn (who earned an Oscar nomination for Requiem) delivers a typically solid performance as Jackman's boss in the present day sequence, and special effects (most done without the benefit of CGI) are also impressive given the film's low budget (spurred by a mid-production shutdown after original stars Brad Pitt and Cate Blanchett ankled the picture). And science-fiction fans whose tastes run towards the metaphysical (Asimov, Le Guin) will appreciate the attempt to present the genre in a serious light. --Paul Gaita

Steven Seagal Collection: 4 Film Favorites - Under Siege / The Glimmer Man / Above the Law / Fire Down Below

• Under Siege The Glimmer Man Above the Law Fire Down Below Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 085391174226 UPC: 085391174226 Manufacturer No: 117422

EPA Marshal Taggert tries to ferret out who is responsible for dumping toxins into abandoned mines and why the locals don't talk about it.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 3-FEB-2004
Media Type: DVDHere's a movie that only a Steven Seagal fan could love. It's not nearly as good as Under Siege (the movie destined to remain Seagal's high-water mark), but not any worse than Above the Law. This time ol' Steve is an agent of the Environmental Protection Agency who's busting heads in Kentucky. He's on good terms with the local yokels (including Marg Helgenberger and Harry Dean Stanton), but locks horns with a slimy mogul (Kris Kristofferson) who'! s using abandoned mines to dump toxic waste. Along with an ecological message, Seagal serves up several broken limbs, cracked skulls, and bloody noses, and he even finds time to do some guitar picking with country boys such as Travis Tritt and Randy Travis. Once you've heard Seagal crooning a country tune, you'll be eager to see him go back to whuppin' the bad guys. --Jeff ShannonCan-do hero. Can't-miss action. Steven Seagal stars in and directs On Deadly Ground (Disc 1/Side A). He plays Forrest Taft, the roughest of Alaska's oil roughnecks...and bad news to a corporate big shot (Michael Caine), who put profits over environmental safety. Then he fires up Fire Down Below (Disc 1/Side B) as an EPA officer headed for an eco-showdown in Appalachian mining country. Co-stars include Kris Kristofferson and CSI Crime Scene Investigation's Marg Helgenberger. A gangster who leaves corpses as his calling cards runs up against Brooklyn cop Gino Felino (Seagal) in the thriller Ou! t for Justice (Disc 2), co-starring Jerry Orbach (Law & Order)! .Under S iege The Glimmer Man Above the Law Fire Down Below

Echelon Conspiracy - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

• You are looking at a beautiful, professionally laminated poster.
• Lamination is a cost effective way to extend the life of your print or poster.
• Rolled and shipped in a sturdy tube.
• Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
• This poster is from Echelon Conspiracy (2009)

When Max Peterson (Shane West) receives a series of mysterious cell phone messages that promise him untold wealth, he soon finds himself the victim of a deadly international plot. Chased by a lethal team of government operatives, Max races across the planet in a desperate attempt to unravel a conspiracy that threatens the stability of the entire world. Edward Burns, Ving Rhames and Martin Sheen co-star in this techno-charged edge-of-your-seat action thriller!In the taut thriller Cellular, a! cell phone saves Kim Basinger's life, but the cell phones in Echelon Conspiracy work more like homing devices for a killer. Security consultant Max Peterson's (ER's Shane West) problems begin when he receives a new one while on assignment in Bangkok. The sender is unknown, but their anonymous text messages prove beneficial to his physical and financial well-being, so Max follows the advice they provide--not a particularly wise move considering that Max's job is to "protect data from hackers" (but there'd be no movie otherwise). When he wins three million euros at an upscale casino in Prague, Max comes to the attention of Reed, the Head of Security (Ed Burns), who reports to business tycoon Mr. Mueller (Jonathan Pryce), and FBI Agent Grant (Ving Rhames), who reports to NSA Director Burke (Martin Sheen). Max also meets the doe-eyed Kamila (Tamara Feldman), who may or may not be part of the conspiracy against him. Together, Reed and Grant try to help Max unmask! the player behind a plot to turn the world into a global poli! ce state , and speed is of the essence since the previous cell phone recipients have all met their respective makers. Despite the name cast, Greg Marcks's follow-up to 11:14 never hits the same dramatic heights as similarly-themed techno-thrillers like Eagle Eye and the Bourne series, but it's a reasonably diverting entertainment, especially if you like a healthy dose of paranoia mixed in with your gunplay and car chases. --Kathleen C. FennessyWhen Max Peterson (Shane West) receives a series of mysterious cell phone messages that promise him untold wealth, he soon finds himself the victim of a deadly international plot. Chased by a lethal team of government operatives, Max races across the planet in a desperate attempt to unravel a conspiracy that threatens the stability of the entire world. Edward Burns, Ving Rhames and Martin Sheen co-star in this techno-charged edge-of-your-seat action thriller!In the taut thriller Cellular, a cell phone saves Ki! m Basinger's life, but the cell phones in Echelon Conspiracy work more like homing devices for a killer. Security consultant Max Peterson's (ER's Shane West) problems begin when he receives a new one while on assignment in Bangkok. The sender is unknown, but their anonymous text messages prove beneficial to his physical and financial well-being, so Max follows the advice they provide--not a particularly wise move considering that Max's job is to "protect data from hackers" (but there'd be no movie otherwise). When he wins three million euros at an upscale casino in Prague, Max comes to the attention of Reed, the Head of Security (Ed Burns), who reports to business tycoon Mr. Mueller (Jonathan Pryce), and FBI Agent Grant (Ving Rhames), who reports to NSA Director Burke (Martin Sheen). Max also meets the doe-eyed Kamila (Tamara Feldman), who may or may not be part of the conspiracy against him. Together, Reed and Grant try to help Max unmask the player behind a! plot to turn the world into a global police state, and speed ! is of th e essence since the previous cell phone recipients have all met their respective makers. Despite the name cast, Greg Marcks's follow-up to 11:14 never hits the same dramatic heights as similarly-themed techno-thrillers like Eagle Eye and the Bourne series, but it's a reasonably diverting entertainment, especially if you like a healthy dose of paranoia mixed in with your gunplay and car chases. --Kathleen C. FennessyPayton "Doc" Connor is an investigator at the Center for UFO Studies in Chicago, a real-life private agency that investigates the paranormal. He has a reputation for dissecting reports the agency receives and proving them to be hoaxes. Shortly before the agency sends him on a routine investigation to New Mexico, the Agency assigns him as mentor to a new investigator, Chanel Falasco. During the trip to the desert, they are contacted by a contemporary "Deep Throat", who confesses his part in a national conspiracy that includes Freemaso! nry, the Illuminati, and a cult born of Nazis that escaped the Nuremburg Trials with the help of wealthy industrialists. The confessor wants to use them and CUFOS to expose the group he works for before their ultimate goals are realized through a illegal surveillance network referred to only as Echelon.MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Breaking and Entering

• BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult

(Drama) A sexy and steamy story about a disparate group of Londoners connected by a string of burglaries and a passionate affair.The atmospheric and erotically charged Breaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley, Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his ! partner (Martin Freeman from the original British version of The Office), is heading a gentrification project in London's seedy, crime-plagued King's Cross neighborhood. At home, he and Liv (Robin Penn Wright), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is. This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly ! explains how he much prefers metaphors to straightforward comm! unicatio n (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson