Thursday, December 1, 2011

From Justin to Kelly

  • Widescreen
America's favorite "Idols" Justin Guarini and Kelly Clarkson make the leap to the big screen in this high-energy comedy set during spring break in Miami-where the music, dancing, and fun in the sun never stop. It's love at first splash when a shy singer (Clarkson) from Texas hooks up with a cute Pennsylvania college student (Guarini) at the ultimate beach party, but a series of mix-ups and misunderstandings may prevent their budding romance from reaching the final round!Kelly Clarkson's fresh-faced, small-town-girl charm--the charisma that led her to win the first season of American Idol--is on full display in From Justin to Kelly, a contemporary beach-party movie co-starring her former competition, Justin Guarini. The flimsy plot--Kelly and two gal pals go to the beach for spring break, where one of her friends gets jealous of Kelly and tries to ruin her budding roma! nce with Justin--is just an excuse for glossy pop musical numbers, in which Kelly, Justin, and the rest of the cast exercise their glossy throats with lots of white soul vocal stylings. The best musical numbers suggest a new kind of disco-fueled pop operetta, with everyone singing the story along; you may wish that Kelly and Justin sang their way through the entire movie, never speaking at all. Plenty of skin--from girls and boys--is on display, but the overall tone is squeaky clean. --Bret FetzerAmerica's favorite "Idols" Justin Guarini and Kelly Clarkson make the leap to the big screen in this high-energy comedy set during spring break in Miami-where the music, dancing, and fun in the sun never stop. It's love at first splash when a shy singer (Clarkson) from Texas hooks up with a cute Pennsylvania college student (Guarini) at the ultimate beach party, but a series of mix-ups and misunderstandings may prevent their budding romance from reaching the final round!Kell! y Clarkson's fresh-faced, small-town-girl charm--the charisma ! that led her to win the first season of American Idol--is on full display in From Justin to Kelly, a contemporary beach-party movie co-starring her former competition, Justin Guarini. The flimsy plot--Kelly and two gal pals go to the beach for spring break, where one of her friends gets jealous of Kelly and tries to ruin her budding romance with Justin--is just an excuse for glossy pop musical numbers, in which Kelly, Justin, and the rest of the cast exercise their glossy throats with lots of white soul vocal stylings. The best musical numbers suggest a new kind of disco-fueled pop operetta, with everyone singing the story along; you may wish that Kelly and Justin sang their way through the entire movie, never speaking at all. Plenty of skin--from girls and boys--is on display, but the overall tone is squeaky clean. --Bret FetzerDVD

Boss Audio Systems CH6530 Chaos Series 6.5-Inch 3-Way Speaker

Goodbye My Lover (Piano Vocal, Sheet music.)

  • Published by Hal Leonard 12 Pages
  • (James Blunt)
  • Artist: James Blunt
Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating! director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast! and never lets up, liberating director Roland Joffé (The ! Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating ! director Roland Joffé (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon GOODBYE MY LOVER Series: Piano Vocal Artist: James Blunt Sheet music.

Flicka 2

  • NTSC
  • Subtitled in Spanish
  • Widescreen 1.78:1
  • Dolby Digital
  • Region 1
Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out t

Can a wild horse with a bad attitude and a not-quite-wild but pretty darn sullen teenage girl with a bad attitude be the best things that ever happened to each other? Though we guess the answer pretty early on in Flicka, it doesn't diminish the feel-good family film one bit. The film is a remake of the 1947 My Friend Flicka itself based on the bestselling (and still riveting) novel by Mary O'Hara, and starring a young Roddy McDowall as the aimless teen hero. This 2006 update changes the hero to a heroine, Katy (Alison Lohman), t! hough the dynamic is similar, and in some ways makes the appeal of the film broader. After all, young girls love their horses, and Katy's moxie and determination, as she opens her heart to the wild filly, a touchingly and humanly conveyed. As Katy struggles with her relationship with her gruff dad (given an excellent performance by country star Tim McGraw), she finds she can gain confidence and be the person her father wants her to be--solely by being herself as she connects with Flicka the horse. The cinematography is stunning, and showcases a part of America that once was seen and celebrated often in films, and lately so rare as to be precious. --A.T. Hurley

Beyond Flicka


Flicka Family! Classics Collection

My Friend Flicka (Paperback)

Flicka Soundtrack

Stills from Flicka






!


Flicka

Set amidst spectacular mountain vistas, this inspiring, coming-of-age story features an all-star cast, including country music star Tim McGraw, Maria Bello and Alison Lohman. All headstrong, 16-year-old Katy McLaughlin (Lohman) longs for is to work on her family's mountainside horse ranch - yet her father (McGraw) insists she finish boarding school. So when Katy finds a mustang in the hills, she sets out to tame the horse and prove she can one day take over the struggling ranch. But when tragedy strikes, it will take all the love and strength the family can muster to restore hope, in this sweeping, heartwarming epic the whole family will love.

Flicka 2

The uplifting film, directed by Michael Damian (Moondance Alexander), a continuation of the popular 2006 Flicka that starred Tim McGraw, features Patrick Warburton (Family Guy, Seinfeld), newcomer Tammin Sursok (The Young And The Restless) and country legend Clint Black in a thrilling story of the special bond between one girl and the mustang no one could tame. Carrie (Sursok) is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father (Warburton). But everything changes when Carrie meets Flicka, a wild, jet-black mustang who's just as free-spirited and strong-willed as Carrie. The two form a special bond and Carrie opens her heart to her father and a handsome, local boy, but when a jealous rival puts Flicka's life in jeopardy, Carrie must do whatever it takes to save her best friend. The Flicka 2 DVD includes behind-the-scenes featurettes; a documentary on the North A! merican Mustang; an in-depth interview with Clint Black; bloopers and more.Disc 1: MY FRI FLICKA Disc 2: THUNDERHEAD: SON OF FLICKA Disc 3: GREEN GRASS OF WYOMING

My Friend Flicka: This gorgeous 1943 family film stars Roddy McDowell as a Colorado rancher's son who takes a shine to a colt named Flicka and chooses to train her. The boy's father (Preston Foster) isn't happy about the idea: the horse is an offspring of a stormy mare who may not be right in the head. For a while, Flicka seems determined to prove the rancher's point, fiercely resisting young McDowell's efforts at domestication. But persistence and love win the day, and Flicka grows up to be a magnificent animal and friend. The film was shot by director Harold Schuster and cinematographer Dewey Wrigley as if for the ages, marrying such perfect elements as a Technicolor sweep of the beautiful Rocky Mountains setting with a wonderful story, plus McDowell's charismatic earnestness. Based on the Mary! O'Hara novel, this film was popular enough in its time to ins! pire a c ouple of sequels, though the original best stands up as a perennially worthy adventure tale for kids ages 5 and up. --Tom Keogh

Thunderhead, Son of Flicka: A sequel to the wildly popular, heart-warming children’s classic My Friend Flicka, Thunderhead stars the original winsome young Roddy McDowall as the horse-lover against all odds. The sequel is every bit as touching, involving, and misty-eye-inducing as the original film. Thunderhead, a headstrong albino colt, is the son of the mare Flicka, and McDowall’s Ken McLaughlin sets out to find out what this wild thing can do. Thunderhead, when given his head, can fly as though winged, so Ken decides to enter Thunderhead in some horse races. But it becomes clear that Thunderhead can fly only if he’s free. A tragedy threatens the sweet world that Thunderhead and Ken have created, and only that magical love between child and animal can overcome the stumbling blocks. Thunderhead,! Son of Flicka is a worthy successor to the original film, and a touching family film for horse lovers of all ages. --A.T. Hurley

Green Grass of Wyoming: The final installment in Mary O’Hara’s landmark horse saga that includes MY Friend Flicka, The Green Grass of Wyoming is a worthy valentine to the love of horses and the wild America they represented in the mid-20th century. Robert Arthur replaces Roddy McDowall as Ken McLaughlin, the boy horse whisperer who connects on a subliminal level with four-legged critters. The equine star is Crown Jewel, a harness-racing trotter for whom Ken has hopes of championships and financial windfalls. But Jewel has something else on her mind--love, for the stallion Thunderhead (star of O’Hara’s second installment, Thunderhead, Son of Flicka. Arthur is a talented, charming successor to McDowall, and the breathtaking scenery and cinematography will charm even those film fans who a! ren’t big horse lovers. (Charles G. Clark was nominated for ! an Oscar for best cinematography.) Burl Ives makes the most of his sidekick role as Gus, and Lloyd Nolan is sympathetic as Ken’s financially struggling dad. Extras include a detailed featurette on the life of Mary O’Hara. --A.T. Hurley

Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out to follow her own path not only with the horse, but with her future to show that she is capable taming Flicka and one day taking over the family ranch. Can a wild horse with a bad attitude and a not-quite-wild but pretty darn sullen teenage girl with a bad attitude be the best things that ever happened to each other? Though we guess the answer pretty early on in Flicka, it doesn't diminish the feel-good family film one bit. The film is a remake of the 1947 My Friend Flicka i! tself based on the bestselling (and still riveting) novel by Mary O'Hara, and starring a young Roddy McDowall as the aimless teen hero. This 2006 update changes the hero to a heroine, Katy (Alison Lohman), though the dynamic is similar, and in some ways makes the appeal of the film broader. After all, young girls love their horses, and Katy's moxie and determination, as she opens her heart to the wild filly, a touchingly and humanly conveyed. As Katy struggles with her relationship with her gruff dad (given an excellent performance by country star Tim McGraw), she finds she can gain confidence and be the person her father wants her to be--solely by being herself as she connects with Flicka the horse. The cinematography is stunning, and showcases a part of America that once was seen and celebrated often in films, and lately so rare as to be precious. --A.T. Hurley

The classic story of an aimless teenager, a demanding father,
and aspirited horse -- now! a major motion picture from Twentieth Century Fox

A daydreamer and a time waster, young Ken McLaughlin spends his days on his family's Wyoming ranch with his head in the clouds, surrounded by endless blue skies, wide-open spaces, and beautiful horses. To his brusque, practical father, the boy is an enigma and a disappointment. Then one day, Ken's life is filled with new purpose when he finds Flicka, a magnificent filly as wild as she is fast. Though the strong bond between boy and horse only fuels his father's disdain, Ken's growing love for his friend Flicka is changing him -- leading a once-aimless young man down the path to responsible adulthood, forging a new respect and understanding between father and son, and inspiring a fierce loyalty that nearly costs Ken his life.

A young boy is determined to befriend a rebellious horse in this touching family film based on the celebrated novel by Mary O'Hara. Ten-year-old Ken McLaughlin (Roddy McDowall), who lives on the Goose Bar Ranch, desperately wants a colt of his own.! Frustrated by the boy's constant daydreaming, Ken's father (Preston Foster) finally lets him choose any horse in the herd. Ken picks a beautiful filly whom he names Flicka, but the high-spirited animal comes from a "bad" bloodline that's considered to be hopelessly wild. To prove Flicka is worth keeping, and prove himself as a person, Ken sets his heart on winning the horse's confidence and ultimately taming her. Along the way, ken begins to grow up a little and everyone learns some important lessons, in this poignant tale of love, patience, faith, and "hope beyond hope".This gorgeous 1943 family film stars Roddy McDowell as a Colorado rancher's son who takes a shine to a colt named Flicka and chooses to train her. The boy's father (Preston Foster) isn't happy about the idea: the horse is an offspring of a stormy mare who may not be right in the head. For a while, Flicka seems determined to prove the rancher's point, fiercely resisting young McDowell's efforts at domes! tication. But persistence and love win the day, and Flicka gro! ws up to be a magnificent animal and friend. The film was shot by director Harold Schuster and cinematographer Dewey Wrigley as if for the ages, marrying such perfect elements as a Technicolor sweep of the beautiful Rocky Mountains setting with a wonderful story, plus McDowell's charismatic earnestness. Based on the Mary O'Hara novel, this film was popular enough in its time to inspire a couple of sequels, though the original best stands up as a perennially worthy adventure tale for kids ages 5 and up. --Tom Keogh Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.

Jason Voorhees/Friday The 13th. Final Chapter COF 10" Action Figure

    • Stylized, mean, and dressed to kill! Jason Voorhees is based on the hit Friday the 13th movie series!
    • Bring home a figure that's a cut above the rest!
    Once again, the twisted minds of Mezco have outdone themselves with their Stylized Jason Voorhees Figure, based on the Friday the 13th movie series!
  • Measuring 10-inches tall, this vinyl terror features a removable trademark hockey mask, 3 camper-killing weapons, real cloth clothing, and 14 points of articulation.
  • He's a cut above the rest!
FRIDAY THE 13TH:FINAL CHAPTER DE - DVD MovieAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humd! rum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew WrightHaving been revived at the hospital jason returns to crystal lake to meet more victims. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Kimberly Beck Wayne Grace Run time: 91 minutes Rating: R Director: Joseph ZitoAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is disting! uished by some unusual casting choices (Crispin Glover as a st! ud in tr aining? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew WrightFriday the 13th
The film takes place years after a young boy named Jason drowns in a lake while attending Camp Crystal Lake and shortly thereafter, the camp closes. Flash forward to the present, where the owner decides to re-open the camp and one by one, the counselors have mysteriously been murdered by an unseen person.

Friday the 13th, Part 2

The second installment picks up with Jason Voorhees, presumed dead from drowning years ago, exacting revenge on the innocent campers at "Camp Blood." Living as a hermit in the woods all these years, Jason witnesses the graphic murder of ! his mother and decides to wreak havoc on everyone at the camp - killing each camp counselor one by one.

Friday the 13th, Part 3
Vacationing teenagers take off for a weekend of relaxation at Camp Crystal Lake. Planning a few days of sex, drugs and rock-and-roll, they are in for a series of frightening surprises when a local motorcycle gang follows the teenagers back to their campsite, only to find a persistent Jason with an agenda of his own. Adorned with his trademark hockey mask for the first time in the series, Jason delivers non-stop chills and thrills as everyone on the lake must fight for their lives. Part III includes cast commentary by author Peter Bracke and actors Larry Zerner, Paul Kratka, Dana Kimmell and Richard Brooker.

Friday the 13th, Part IV: The Final Chapter
Jason resurfaces from a seemingly deadly massacre and returns to Camp Crystal Lake to a new set of prey. Starring! a young Corey Feldman as Tommy Jarvis, it seems Jason has fin! ally met his match in the 12-year old horror movie maven. Enlisting the help of a local hunter, Tommy and his sister must rely on one another to help defeat Jason, while also trying to avoid their own demise.

Friday the 13th, Part V: A New Beginning

With Jason dead, someone new has begun a killing spree of their own, using Jason's M.O. and preying on inhabitants of a sanctuary.

Friday the 13th, Part VI: Jason Lives
Tommy returns to the grave to ensure that Jason is indeed dead. Instead of remaining dead, Jason is accidentally brought back to life by Tommy and now Tommy must stop all the mindless killing and make sure Jason dies for good this time. Part VI features commentary by director Tom McLoughlin.

Friday the 13th, Part VII: The New Blood
The film centers on Tina Shepard, a young girl with telekinetic powers who believes she drowned her father in Cryst! al Lake. Returning to the site as a method of supposedly helping her cope with her grief, Tina accidentally frees Jason from his watery grave, only to lead to more killing sprees by the man in the infamous hockey mask. Part VII features commentary by Kane Hodder and director John Carl Buechler and Part VIII features commentary by director Tom McLoughlin.

Friday the 13th, Part VIII: Jason Takes Manhattan
A graduating class of a local high school vacation on a cruise ship and unbeknownst to them, Jason is a stowaway on the same ship. Slowly killing students one at a time, Jason eventually sinks the boat, stranding the few lone survivors in Manhattan. Among those survivors, is Rennie, who believes Jason attempted to drown her as a child. Fighting for her their lives, Rennie and the other survivors must make sure Jason dies once and for all.

A featurette "Tales From the Cutting Room," in which exclusive deleted scenes and f! ootage is revealed for the first time. An 8-part featurette "T! he Frida y The 13th Chronicles," which looks at the legacy of the films throughout their history, featuring cast and crew commenting on each film and why they appeal to audiences. Includes Adrienne King, Amy Steel, Corey Feldman, Kane Hodder, Lar Park Lincoln, Betsy Palmer, Tom Savini and directors Sean Cunningham, Tom McLoughlin, Rob Heddon, Joseph Zito and John Carl Buechler. A 3-part featurette "Secrets Galore Behind The Gore," which looks at the work of master make-up effects designer Tom Savini in Part 1 and Part IV and John Carl Buechler in Part VII. Includes rare and never-before-seen footage, drawings and stills illustrating the make-up techniques used to create Jason and achieve elaborate death scenes. A featurette "Crystal Lake Victims Tell All!" in which cast and crew from various films share amusing anecdotes. Includes Corey Feldman, Larry Zerner, Adrienne King, Amy Steel, Lar Park Lincoln and directors. A featurette "Friday Artifacts and Collectibles," which looks at pro! ps and collectables from the films. The theatrical trailers from all 8 movies except Part VI, which is represented by the teaser trailer.Five discs gather the first eight movies in the Friday the 13th series, plus a batch of behind-the-scenes featurettes. You can track the rise, fall, and endless resurrections of Jason Voorhees, from the original 1980 film to Jason's self-kidding trip to the Big Apple. Horror fans eat up packages such as this, but there's something odd about the deluxe treatment for a series that spotlighted atrocious acting, pitiful production values, and inane storytelling.

You'll spot a few future "name" actors in various installments: Kevin Bacon is morbidly dispatched in the first one. But in general, the dominant focus is how to kill horny teenagers, most of whom have gathered at Camp Crystal Lake in the misguided belief that the curse of the impossible-to-kill Jason has worn off. The first movie has a certain raw, crummy ability to shoc! k, Part 2 is a dismal retread, and Part 3 actual! ly featu res interesting use of 3-D, which doesn't translate to its flat DVD version. The fourth is boldly subtitled The Final Chapter, and we all know where that went, but it does have Crispin Glover doing a funky dance. A New Beginning and Jason Lives continue Jason's bad mood, maybe because the hockey mask doesn't fit right. The seventh chapter, The New Blood, stakes Jason against a worthy opponent (Crystal Lake's answer to telekinetic Carrie), but the result is the same. Part 8's subtitle, Jason Takes Manhattan, is wittier than the movie itself, as Jason menaces an unlucky cruise ship of high-schoolers bound for New York--where Mr. J fits right in.

Some of the films come with commentaries from directors or cast members, including heralded Jason performer Kane Hodder. Brief documentaries (ranging from five to 15 minutes) cover separate installments with amusing anecdotes, including interviews with Sean S. Cunningham, Tom Savini, and variou! s actors. In another doc, actors speak of the fraternity of young actors who've been slaughtered by Jason over the years. A deleted-scenes section is skimpy and not very interesting, while the tricks of special-effects gore merit a film to themselves. It's a customer-savvy DVD box, even if the effect of watching a bunch of this stuff together is a little dispiriting. --Robert HortonScare yourself into purgatory as the body count continues. The relentless, hockey-masked killer Jason Voorhees returns for more bloody cranage in this ninth chapter of the frightfully successful Friday the 13th series. Year: 89 Director: Adam Marcus Starring: John D. LeMay, Kari Keegan, Erin Gray

DVD Features:
Audio Commentary
DVD ROM Features
Interactive Menus
Other
Theatrical Trailer

Blow mad killer Jason Voorhees to smithereens in the opening sequence of the movie? Sorry, folks, you have to do better than that. Jason's e! vil spirit finds its way into a series of host bodies, thus co! ntinuing the carnage at Crystal Lake, in Jason Goes to Hell: The Final Friday. Naturally, part 9 is not the final Friday the 13th movie (no big deal: part 4, you'll recall, was titled The Final Chapter). Jason confronts a long-lost sister at the lake, while the usual assortment of naked teens are dispatched. This one tries to vary the formula a bit but ends up with a story line every bit as nonsensical as those that came before. The final sequence tries to put Jason away for keeps and calls upon the demons of hell for support. The last shot is an outrageous joke, which is perhaps what this franchise deserves. --Robert Horton Amateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguish! ed by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew WrightOnce again the twisted minds of Mezco have outdone themselves with their new Stylized Jason figure. This 10 inch tall terror features a removable trademark hokey mask, three camper killing weapons, real cloth clothing, and fourteen points of articulation.

Cradle Will Rock

  • As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w
Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker
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